Download PDF The Europeanness of European Cinema: Identity, Globalisation, Meaning (International Library of the Moving Image)By Alissa Timoshkina, M

Download PDF The Europeanness of European Cinema: Identity, Globalisation, Meaning (International Library of the Moving Image)By Alissa Timoshkina, M

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The Europeanness of European Cinema: Identity, Globalisation, Meaning (International Library of the Moving Image)By Alissa Timoshkina, M

Download PDF The Europeanness of European Cinema: Identity, Globalisation, Meaning (International Library of the Moving Image)By Alissa Timoshkina, M

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From The Artist to The White Ribbon, from Oscar to Palme d'Or-winning productions, European filmmaking is more globally prominent than ever before. This book attempts to identify the distinctive character of European cinema, both in films and as a critical concept. Including in-depth analyses of production and reception contexts as well as original readings of key European films from leading experts in the field, it re-negotiates traditional categories such as auteurism, art cinema and national cinemas. A timely intervention in the fields of European and transnational film studies, this book will appeal to film enthusiasts as much as students and specialists.

• Sales Rank: #3977002 in Books
• Published on: 2015-02-26
• Original language: English
• Number of items: 1
• Dimensions: 9.53" h x 1.13" w x 6.29" l, .0 pounds
• Binding: Hardcover
• 272 pages

Review
Twenty-five years after the fall of the Berlin Wall, Europe's East and West are still reaching out to each other. Europe has enlarged and transformed, but - in the sway of the global crisis - it has also shrunk into insignificance. Yet, European cinema is going strong in making meaning, as this book persuasively shows in tackling matters of heritage and cinephilia, identity and pan-European minorities. Transnational stardom and co-productions are explored against the backdrop of multiple national film traditions. It all comes together, elegantly and proficiently, under the coveted umbrella of Europeanness. Dina Iordanova, Institute for Global Cinema and Creative Cultures, University of St Andrews This wonderful collection navigates with rigour, enthusiasm and aplomb the complexities of thinking about something called European cinema, always respecting differences, never forcing a unity on the phenomenon, but also stubbornly and triumphantly affirming that there is indeed such a thing." Professor Richard Dyer, Kings College London

About the Author
Mary Harrod, Mariana Liz and Alissa Timoshkina gained their PhDs from the Film Studies Department at Kings College London (UK), where they have since been teaching. They have published articles in a number of journals and have presented papers on their research topics at film, media and European studies conferences.

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